
Kaur’s lazy use of line breaks has been ridiculed by many Twitter users: The original sentence: A flower grows, sprouts, bursts, in my heart every time I contemplate the garden of our love. She writes moderately interesting sentences– usually about something taboo and difficult, like rape or confidence or being a woman of color to give an extra sense of thematic intensity– breaks them apart, strips them of punctuation, and adds an appealing image to compliment it to give the sense of a verse form.

Kaur has mastered the art of making her poems seem profound, especially by capitalizing on the lazy technique of lines breaks. If anything, her poems are visually stunning, give the illusion of depth, and she’s willing to give voice to the suffering of young women– but they are not actually good. And I can see the appeal as someone who, too, has scoured social media like Pinterest and Tumblr for some light poetry reading, but to think that Kaur’s poetry is good poetry– that its writing is actually adding merit to the literary canon– is a gross overration of Kaur’s talent as a poet. For her readers, Kaur is a brave young woman speaking fearlessly and simply about extremely difficult themes. She is the frontrunner of a new culture of “insta-poets”, taking her success on the internet to ground-breaking commercial success in bookstores all around the world.


Rupi Kaur is an Indian-Canadian poet who rose to fame for short enjambed poems, usually with themes about sexual abuse and self-love, posted on instagram accompanied by an original illustration.
